Thursday, August 14, 2014
Sound Verite reviews FKA twigs - LP1
Sound Verite reviews FKA twigs debut LP1.
UK dancer, choreographer, producer, and artist Tahlia Barnett, who goes by FKA twigs, has made a wonderful, sprawling, arty, and challenging debut with LP1. Produced by FKA twigs as well as producers Arca, whose status was raised by his work with Kanye West and who worked with her first recordings EP1 & EP2. Also includes production by Sampha, Paul Epworth, Dev Hynes, Clams Casino and Emile Haynes. With her first two records EP1 & EP2, Barnett hinted at where she’d go. On her debut long player LP1, she goes the full rainbow of soulful electronics, sampled, looped, and textured in a very personal way. FKA Twigs works where Bjork and Aaliyah references all make sense as well as a shared sense of modern sensibilities with artist like Grimes, James Blake and xx.
Barnett quotes the poet Sir Thomas Wyatt when she sings, “I love another, and thus I hate myself” on the opener “Preface” like an erotic prayer, twirling, creeping and sinking in. She confesses of gaining a special trust that allows for a new space on the sultry on “Lights On”. She sings “when I trust you we can do it with the lights on’, I’ll tell you all my secrets and whisper to the days done”. FKA gets a nice assist from producer Paul Epworth on the stunning “Two Weeks”. The records centerpiece, the cinematic “Two Weeks” soars as Barnett proclaims “I’d put you first, just close your eyes and dream about it/higher than a motherfucker, dreaming of you as my lover”, her conviction and dedication is real. With heavy mental, slow flow she yearns on “Hours” with assists from Dev Hynes and Clams Casino with cries of “I can kiss you for hours”. More confessional as she awaits a lovers commitment on “Pendulum” she wonders “I’ve got time but you’re tired of waiting, you only want me in open spaces/ Come fill your gaps with people, I know no one/ So lonely trying to be yours, when you’re looking for so much more”. From her previous life “Video Girls” , where she recalls how “The camera loves you/Ain’t that enough?” yet …“she’s the girl from the video, you lying you lying”. Questioning insecurity, asking if she’s getting played on “Numbers”. Darkness prevails “why you gonna make me cry” invoking early Bjork with production by Sampha. “Closer” has hints of Cocteau Twins and “Give Up” goes in on 1990′s R&B dialing in Aaliyah. She closes with the slower tweaked out burner “Kicks”, where she expresses how to make herself feel good “I love my touch, know just what to do, so I tell myself it’s cool to get my kicks like you.”
Not afraid to show her vulnerability, with a debut that includes “Lights On”, “Two Weeks”, “Hours” ,“Pendulum” and “Numbers” that make LP1 a contender. Forget what you thought about her enchanting videos, her melodies, sexy futuristic R&B, brings to mind the haunting beauty of Massive Attack, with the sensuality of Bjork, for a new Post-Feminist. A modern, mechanical, jittery, hypnotic ode to getting closer, examining oneself, completely enthralled by contact with another person’s touch.
Originally posted at Reviler FKA TWIGS: LP1 REVIEW (FOUR TAKES).
FKA twigs -"Two Weeks"-video
FKA twigs -"Pendulum"-mp3